INFINITE.
Book Design 2024
A typographic exploration of nonlinear time inspired by Kurt Vonnegut’s Slaughterhouse-Five. Infinite reimagines reading as an experience untethered from chronology, drawing from the novel’s disjointed structure to collapse past, present, and future into a single, looping system. Using direct quotation and associative language, the project translates themes of fatalism, memory, and repetition into a typographic framework that fragments, recurs, and reorients. Typography functions as both content and structure, producing a reading experience that mirrors the protagonist’s unstable relationship with time—cyclical, unsettled, and absurd.
A typographic exploration of nonlinear time inspired by Kurt Vonnegut’s Slaughterhouse-Five. Infinite reimagines reading as an experience untethered from chronology, drawing from the novel’s disjointed structure to collapse past, present, and future into a single, looping system. Using direct quotation and associative language, the project translates themes of fatalism, memory, and repetition into a typographic framework that fragments, recurs, and reorients. Typography functions as both content and structure, producing a reading experience that mirrors the protagonist’s unstable relationship with time—cyclical, unsettled, and absurd.